All kees van dongen 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
66368 fate  fate   mk289 1901 warercolor private collection
66523 guus and dolly motber and cbild  guus and dolly motber and cbild   mk289 1905 oil on canvas 73x92cm private collection
66519 Ibe moulin de la galette  Ibe moulin de la galette   mk289 1904 oil on canvas 55x46cm private collection
66524 Ibe violin player  Ibe violin player   mk289 1920 oil on canvas 81x60cm musee d art moderne liege
66520 Iorso  Iorso   mk289 1905 oil on canvas 92x81cm private collection
66527 loulou  loulou   mk289 1924-25 oil on canvas 56x47cm museum of fine arts st petersburg florida
68080 pa sadelplats  pa sadelplats   se
66370 portrait of guus on a red ground  portrait of guus on a red ground   mk289 1910 oil on canvas collection mlle D.A. van dongen paris
71184 soprano singer  soprano singer   mk290 1905-07 39x32in museum of modern art new and mrs peter a rubel
68079 vilande naken kvinna  vilande naken kvinna   1904-1905 se
56397 woman in black hat  woman in black hat   mk247 1908,oil on canvas,39x32 in,100x81 cm,state hermitagge museum,st.petersburg,russia
66518 yellow boots  yellow boots   mk289 1902 oil on canvas 130x97cm private collection
kees van dongen
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.

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